Showing posts with label Martin Guitars. Show all posts
Showing posts with label Martin Guitars. Show all posts

Saturday, November 21, 2015

Martin Guitar Collector's EXCITE! SS-0041-15 #29 of 35

WOW!
Mark, the owner of Portland Music Company went to the Summer NAMM Show and was absolutely STUNNED by this guitar.
The 2015 Summer NAMM Show Special has an Adirondack spruce top with Martin’s Vintage Tone System (VTS) and finished with a gorgeous cinnamon teardrop burst. And I know you all love cinnamon tears.






From Martin:
"The new Martin Vintage Tone System (VTS) uses a unique recipe that is based on the historic torrefaction system. The VTS acts much like a time machine in which Martin can target certain time periods and age the top/braces to that era. This focused method allows Martin’s craftsmen and women to recreate not only the pleasing visual aesthetics of a vintage guitar, but also reproduce the special tones previously reserved for vintage instruments."

The SS-0041-15 has Guatemalan Rosewood back and sides, featuring various unique inlay designs: an alternate torch on the headstock and a tree-of-life on the fingerboard, both inlaid in a select abalone pearl. BLING!
This limited edition guitar, #29 of 35,  will be cherished for years to come. There's ONLY 35 of these in the entire world, OK.

 



Hide Glue was used, as on their Authentic Series, to provide a better bonding agent that hightens the guitars sensitivity. Plus, thinner bracing allows the top to vibrate more freely, producing a more active sound and helps age the tone the more you play the instrument. It's hard to call this just an instrument, though. This is a work of fine art, people. It's gorgeous!
The Modified V shaped neck has a 1-3/4" Bone nut. Some of you love a Modified V shaped neck and some of you don't. I think there is no middle ground with that. What I find with the Modified V is that if you're fingerpicking, it's easier to wrap your thumb around to the bass strings. So all you fingerpickers out there, REJOICE!

Alternate Torch Headstock

Gold Butter Bean Tuners

Tree of Life Neck Inlay

More Tree of Life Inlay, SWEET!

Ooo La La
The wonderful Tree of Life neck inlay using Select Abalone Pearl is mesmerizing. I wonder how long it took just to do that part of the guitar. And believe me, it ain't easy. You have to know what you're doing for sure.
I greatly appreciate the Fishman Aura VT system in that it not only sounds great, it's so inconspicuous you don't even know it has electronics until you get up close enough to see the controls inside the sound hole.
Cinnamon Teardrop burst & Ebony Pyramid Bridge

#29 of 35!
You have to come and see this one. Even if you can't physically be here. Astral travel yourself to our store and be stunned by this gem. #29 of 35 IN THE WHOLE WORLD!

Portland Music Company on Broadway
2502 NE Broadway
Portland Oregon 97232
503-228-8437

Sunday, March 3, 2013

POTW - Martin 000-17SM

You might think I just sit back all day running through the litany of cool gear suitable for POTW but, let me assure you... well, you're right. I do. We've got a lot of cool gear here at PMC @ Broadway and, sooner or later, we're going to tell you about all of it. 

A few weeks back, Carrie (our Manager) went to Anaheim, California for the annual NAMM Show. She went shopping, and we're beginning to see some of the things she bought coming through the doors of our store.

I'd had another instrument picked out for this installment. I was all ready to start taking photos, and then I planned on sitting down at the computer and writing all about it. It was right about that time when Nick, our driver, brought through our door a guitar I've been dying to get my hands on. When I saw the box, I knew the previously selected little POTW nugget was just gonna' have to wait another week.

You see, this week, I decided I would bestow POTW honors on the Martin 000-17SM:




The Martin 000-17SM...

A couple of things about this guitar just jump out at you when you first see it. First, the finish on the gloss top (the back and sides are satin) is just silly. It's a subtle, yet striking example of understated beauty. Second, you notice the slotted headstock. It gives this instrument a distinctively vintage vibe and fits in very well with the whole motif. This is a 12-fret guitar, so this 000 body size is a bit smaller, particularly in the upper bout, than, say, a 000-28.

The body sports tortoise shell binding, as well as a tortoise shell pickguard. The bridge and fingerboard are Morado (think Pao Ferro), and the headstock overlay is East Indian Rosewood.

Small diamond inlays on the Morado fingerboard...

The solid Morado bridge with solid Ebony bridge pins...

Flipping the guitar over, you get a good look at the solid Mahogany back and sides. The "select hardwood" neck (I'm thinking it's something similar to Mahogany) has a low oval shape, and is very comfortable.

The satin finished Mahogany back and sides of the 000-17SM...

So, how does it play? Well, it plays really well. The 12-fret neck, as you would suspect, affords a bit less string tension than a longer scale neck. I'm not exactly known for multi-fret finger-stretches, but I could probably pull them off a bit easier on this than on, say, my Yairi. The slot headstock increases the break angle over the nut, which seems to reel in a "slack" feel one might otherwise feel in the strings. The fingerboard width is 1-3/4" at the nut, so there's ample space. 

The slotted headstock; a very definite vintage vibe...
 
On a scale of 1 to 10 in the playability department, I'm giving this one a solid 9.

Now, let's talk sound.

Sonically, I've always loved 12-fret guitars. They just sound a bit warmer than their 14-fret counterparts, and the 000-17SM does not disappoint. There's a rich, almost breathy sound to this guitar that I really like, and the bone nut and saddle only enhance this. 

The low end is more prominent than I expected out of a smaller body, but the high end isn't nearly as pronounced as I thought it would be. It's definitely a bit subdued.. Overall, though, it's an amazing sounding instrument. Mahogany and Spruce is one of my favorite guitar combinations, and it takes on a certain quality in a 12-fret that's difficult to describe. It's like a hot cup of coffee on a cold Portland night; it warms you right up. I tuned the guitar to a double drop D and I got all gooey inside. It sounded sooooo freakishly good.

So, looks, playability and sound. This guitar hits the "POTW" trifecta, and in convincing fashion. With a street price of $1,599.00 (which includes the Martin hardshell case), this guitar delivers, and it delivers big. It's not the least expensive guitar you'll ever buy, but it hangs in there, rather handily, for a lot less than the competition.

So give us a call at 503-228-8437 or, better yet, come down to 2502 NE Broadway in Portland, and ask Steve or Carrie for a test drive of this wonderful instrument.




Photos and text by Steve Parr